My Favorite Ghibli Movies
Hey all! As usual, I’m keeping up with the entertainment realm of life and lately that’s meant watching every Ghibli movie ever produced. It started with “Spirited Away” when I was seven or so, and hell, I was scared of that movie. It’s not exactly the most kid-friendly Ghibli movie, and the scene where Chihiro runs back to her parents to find they’ve turned into pigs freaked me out. It’s like losing your parents in the grocery store. Except they’re pigs now. Non-sentient, unpredictable pigs.
So my first impression wasn’t the best. That scene nagged me so badly that the rest of the movie was difficult to appreciate. I was a shy little kid though, unable to watch the basilisk scene of “Harry Potter and the Chamber of Secrets”; hiding around the corner during a family viewing of “King Kong”; being brought to see “X-Men 2” only to cover my eyes through the entire movie. The only scene I saw was the one where the cat licks Wolverine’s claws.
Anyway, I’ve watched all of the movies Studio Ghibli has to offer. I haven’t watched all of their short films, music videos, commercials, or collaborative works, but I can at least say I’ve seen all of their theatrical releases (of which there are sixteen currently in American circulation). They’re captivating in every sense of the word, and while some are better than others, I have no clear-cut favorite. I can’t make a “top ten list” of these films. I cherish them all for different reasons, and would want to watch certain ones under certain circumstances. I’ll do my best to explain my admiration for each of the films I list here.
[Reminder: these films are not listed in order of favorites; they are simply a group that I consider my favorite.]
1) “My Neighbor Totoro”
This movie is regarded as one of the most fantastic adventures that Studio Ghibli has ever produced, and I don’t think it could be summed up in clearer terms than with this quote from Roger Ebert: “[Totoro] is based on experience, situation, and exploration–not on conflict and threat.” He also called it “one of the lovingly hand-crafted works of Hayao Miyazaki,” who is the director, animator, writer, and/or producer of many Studio Ghibli feature films. “Totoro” is the story of two young girls, Satsuki and Mei, who discover creatures of varying size in the forests near their new home. These creatures are dubbed “totoro” by young Mei, who is the first one to actually see them. Her father calls them keepers of the forest who will reveal themselves again when they wish.
These creatures reveal themselves to be benevolent, fun-loving, and magically gifted. The movie focuses on their experiences with them, and while the movie does in fact have an apparent conflict, the magic in this movie comes from the innocence, imagination, and excitement of the two girls and the totoro (which, by the way, is plural in this case). It transcends the kids’ genre and I encourage anybody to watch it if they ever want to feel like a kid again.
2) “Spirited Away”
Let’s go ahead and tackle this one. Here’s the movie I said frightened me. Frankly, it still does, but perhaps in different ways. No, I’m not scared my parents will turn into pigs anymore, but this movie is centered around a plot in which a young girl, Chihiro, stumbles into a world of spirits. She feels out of place, lost, and lonely, and everyone she meets treats her harshly. There are some genuinely scary characters along the way, and a big-headed old woman running the show.
This movie works to alienate Chihiro, and in the process makes the viewer uncomfortable. The movie is unpredictable and surreal, and that’s part of its beauty. It’s wonderfully animated, and full of both suspenseful and happy moments. One of my favorite parts about this movie is its soundtrack. Joe Hisaishi is a composer who often collaborates with Hayao Miyazaki in adding musical emphasis and power to Studio Ghibli films. A movie with Hisaishi as its composer is one worth watching. Notable tracks from this film are “One Summer’s Day,” “The Sixth Station,” and “The Dragon Boy.”
This movie is dreamlike. It may have been hard to watch and appreciate when I was younger, but it was also the first Ghibli movie I saw, and when I was older I searched for it and watched it again and found it to be beautiful. It’s absolutely worth watching.
3) “Grave of the Fireflies“
“Grave of the Fireflies” offers a largely different experience, you will find, than its Ghibli counterparts. The two main reasons are its premise and its director. The movie takes place during the air raids on Japan during World War II. Seita and his young and naive sister Setsuko are two children left to fend for themselves when their living situation falls apart. They are surrounded by harsh circumstances in a community that is becoming increasingly stingy with its food and money. Seita feels it’s his responsibility to look after Setsuko, who is just old enough to talk and who has a much harder time adapting than he does.
The movie’s director is Isao Takahata. Takahata is the director of only four Studio Ghibli films of the eighteen that are currently available in Japan. That said, Takahata is second in directorial involvement to Miyazaki, and does not often receive as much praise. I personally prefer Miyazaki movies to those Takahata produces, but their difference lies in style and subject matter. Takahata’s career has consisted of movies that are more “slice-of-life,” and perhaps more relevant to real-life situations. In any case, I generally prefer the films Miyazaki writes and/or directs.
“Grave of the Fireflies” is the exception. This movie is heartbreakingly real, and is even based on the a civilian survivor’s autobiography. The events described in the movie are recreations of true occurrences. The outcome of this movie, I will warn you, is harsh. But there is a magic to the movie that sticks with you long after you watch it, as well as an appreciation for life.
4) “From Up On Poppy Hill“
I only needed to watch this one once to declare it one of my instant favorites. “From Up on Poppy Hill” is actually the second film directed by Hayao Miyazaki’s son, Goro Miyazaki. The first film, “Tales from Earthsea,” was good, but “From Up On Poppy Hill” is my favorite of the two and received better critical attention. Another film that falls into the category of realism, “Poppy Hill” details the story of Umi, who raises marina flags every morning in order to signal ships. The ship she is signalling is her father’s, who she has not seen in years.
A boy in town notices and writes a poem about it that makes it into the school paper. They end up meeting and bonding over extracurricular activities that take place in a clubhouse called the “Latin Quartier.” The movie is a love story, and a really good one. It was funny and endearing, and most of all it was pretty.
Also notable about this movie was its ability to make me laugh. Studio Ghibli movies are always pretty, but a sense of humor always helps. This movie was all-around fantastic, and a definite must-see for fans. It also gave me confidence in Goro Miyazaki’s ability to succeed his father, who recently retired!
5) “Kiki’s Delivery Service“
This movie is one of the most inherently goodhearted and beautiful films I’ve ever watched. Everyone in this movie works to do good for each other, to be helpful and kind human beings. It’s all about a young witch, Kiki, who moves to the waterside town of Koriko in order to learn how to learn how the human world operates. The people she meets along the way become close friends and help her at every opportunity.
This movie doesn’t lack conflict, and yet it has no clear villain. You cannot even label something intangible as the enemy, such as “human greed” or “environmental pollution.” There is simply no evil afoot. This movie, like “Totoro,” is about the situation, and about the experience. It’s a lesson in aesthetics, and in how to treat people. Kiki and Tombo are fantastic characters, because of their inclination to optimism and their profound childlike wonder.
This gorgeous movie was written, directed, and produced by Hayao Miyazaki, with music by Joe Hisaishi.
A fantastic movie and a great choice for anybody! It’s certainly something I’ll be showing my children someday. And you know the old C. S. Lewis quote: “A children’s story that can only be enjoyed by children is not a good children’s story in the slightest.”
6) “Howl’s Moving Castle”
“Howl’s Moving Castle” is directed and written by Hayao Miyazaki, with music by Joe Hisaishi–right in my comfort zone. Originally, Mamoru Hosoda, the director of two Digimon movies, “The Girl Who Leapt Through Time,” and “Summer Wars” was to direct. However, he left the production, and Miyazaki came out of what everyone thought was his retirement to direct the movie (keep in mind, this was in the early 2000s).
This movie is a magical tale, and a more surreal one as well, comparable to “Spirited Away” in the sense that not everything that happens makes sense. The rules are never spelled out, but that’s something you end up understanding and enjoying. “Howl” is a love story between the mysterious owner of a moving castle and a young girl named Sophie who has trouble believing she’s pretty at all. It makes it all the more difficult for her to believe Howl loves her, and has been looking for her.
This movie is touching, and you end up loving the characters for their ability to protect their friends and convert their enemies. It’s a movie that’s stuck with me as being one of the most beautiful in terms of art and its story. “Now, straighten your legs, and start walking!”
7) “Whisper Of The Heart“
This love story was actually adapted by Hayao Miyazaki from a manga comic series. While I can’t compare the two (having never read the latter), I can honestly say that “Whisper” is a beautifully touching story of young romance and coming of age. It’s a story that I believe many can identify with, because it’s all about balancing responsibilities and becoming something you can respect. One of my favorite quotes from the movie is spoken by the main character’s scarcely-seen father: “Why don’t we let Shizuku do what she thinks is best? Not everyone has to follow the same path? … Go ahead and do what your heart tells you. But it’s never easy when you do things differently from everyone else. If things don’t go well, you’ll only have yourself to blame.”
“Whisper” has a powerful story and a wonderful message. It may feel at first as if this story is realistic fiction, like “From Up On Poppy Hill” or “Only Yesterday,” but this is a movie that creates its own magic and showcases such imaginative ideas and themes.
One of my favorites, absolutely. It also has one of my favorite scenes–the one pictured in the .gif above–of any Ghibli movie!
8) “Princess Mononoke“
“Mononoke” means ‘spirit’ or ‘monster,’ so the translation for this movie’s title is closer to “The Spirit Princess.” It’s described as a historical epic fantasy (try wrapping your mind around that one) that illustrates mankind’s effect on nature. It’s actually one of a few Studio Ghibli movies that notably delve into that subject, the others being “Nausicaa of the Valley of the Wind,” “Pom Poko,” and “Laputa: Castle in the Sky.” Other films go into less detail, but convey the same message through mankind’s harmful interactions with magical presences.
“Mononoke“ is a masterful movie. The characters are ambitious and aggressive, and the art is beautiful. This movie was calculated to have approximately 144,000 individual celluloid images used in the final production, the highest amount of cels in one of their films up until “Ponyo” was made. “Ponyo” topped Mononoke’s cel-shade count at 170,000 separate images.
This is a spectacular movie, and it features one of my favorite Hisaishi songs: “Ashitaka and San.” It’s a bit more action-oriented than other Studio Ghibli films, for all of us who appreciate that kind of thing!
9) “Arrietty“
This movie was really fantastic. It was actually directed by Hiromasa Yonebayashi, notable for the fact that he was the youngest director of a theatrical Studio Ghibli movie. It was written by Hayao Miyazaki and Keiko Niwa, with music by Cecile Corbel. The change in musical style was actually quite welcome, and suited the movie superbly. I paid attention to the music in this movie and ended up really loving it.
“Arrietty” had a cry-worthy premise. It’s about a boy named Sho who moves into a house inhabited by a tiny race of people called Borrowers. They borrow things from the humans’ residences because the difference in size is extremely helpful to them. For example, a sugar cube in the human world that would last us one cup of coffee would last the Borrowers several weeks. Arrietty is a young Borrower whose father wants to teach her how to explore human houses discreetly.
But Sho finds out about her when she is careless, and tries his best to help her. Sho reveals to Arrietty later on that he has a heart condition, and he is sick almost beyond conceivable medical help. It appears that Sho does not have much longer to live, and he says that he is helping them because, unlike himself, the Borrowers have a chance at not “dying out.”
Everything about this movie is pretty. The whole thing is wonderful, and the way that Arrietty and Sho give meaning to each others’ lives is what makes this movie really special.
10) “Ponyo”
I will never grow tired of this movie, not in two or three or ten lifetimes. “Ponyo” was brilliant in every sense of the word. From the killer cast to the breathtaking art style, from the Hisaishi soundtrack to the goofy main characters, this movie had it all. It is the epitome of cuteness and fun. I think what made this movie great was its ability to make me happy. The kids in the movie are always jovial, brave, and silly with each other, especially Ponyo who is ridiculously oblivious and always jumping for joy. When she’s not screaming, she’s sleepy. She was the most enjoyable and adorable character.
The plot managed to be suspenseful, cute, and fulfilling all at once. What also makes “Ponyo” interesting is that it lacks a definite villain. It was much like “Kiki’s Delivery Service” in that way. “Ponyo” was extremely imaginative and visually stunning.
If there’s one movie I can trust to liven me up and make me happy, it’s “Ponyo.”
Thanks so much for reading, everyone, and I hope you enjoyed! If you learned anything or got some insight into what to watch next, that’s a bonus!
-Thom
Top Ten Anti-Creepypasta Stories
Hi again! Did you enjoy the list? I hope some of my personal top ten Creepypasta stories scared or entertained you, but you know what can be even more scary and entertaining?
The bad ones. The really awful, horrific, almost anti-Creepypasta stories that, intentional or not, suck total arse.
They’re scary. But in a different way. In a way that affects you a lot more than an actually scary story… it hits home harder than you’d think. Look at the atrocious grammar. The way in which they fail to address certain plot points and leave gaping holes in their alleged story. The way in which they jump from supernatural concept to concept with no regard to the reader’s tolerance.
Without further ado, here are the best ten anti-Creepypasta stories I’ve found while looking for the real deal.
Disclaimers: These stories’ titles are emboldened and underlined, but do not link to their place of origin. Don’t worry, you’ll get the full story–they’re short, sweet, and to the point. Also, these stories will be in italics, and will be copied and pasted, atrocious grammar and all. Enjoy.
10) Topsoil
This story is an environmentalist’s nightmare. Its place of origin is on a Reddit thread, and boy did it scare everyone witless:
“Someone told me it was frightening how much topsoil we are losing each year, but I told that story around a campfire and no one got scared.”
The fact is that this is scary and deserves to be told around every campfire in America. This is scarier than any smiling pair of twins, any muddy boogeyman, and any demon baby. This is reality.
How You Should Tell It Around The Campfire
The execution is not so important as the message. Use it as the ultimate one-up story. Right after your friend finishes their story–“And they were never seen again…!” just butt in and say “You know what disappeared, never to be seen again? Topsoil.” No one will be sleeping that night. No one.
9) Wrong Number
A crucial part of this story is the “OP” — original poster. This story has been told in many forms, but the form we see today exists thanks to Yahoo! Answers user “Turkey Sammich,” AKA spinner of scary masterpieces.
“The phone rang, a kid picked up the phone said hello. The voice on the other end said……’Sorry, wrong number.’ ”
Chilling. Absolutely chilling, Mr. Turkey Sammich.
How You Should Tell It Around The Campfire
Turn on your scary voice, and slow everything down. Convey the sheer horror that kid exudes when picking up the phone… “Hello…?” he asks, as if he is confronting the most heinous man on the planet. “The voice on the other end said…” Keep everyone in suspense. Pause to achieve the maximum effect, but don’t pause for too long or else everyone will think that you forgot what the voice is supposed to say. “Sorry, wrong number.” And then just start screaming.
8) The Story of Fidgety Philip
How many times have you heard a story where the protagonist is only ever described as “fidgety”? Probably never. Straight out of Der Struwwelpeter, The Story of Fidgety Philip has scared innocent little German kids since the 19th freaking century. It’s a cleverly disguised wives’ tale that is aimed at keeping children from being little brats.
It details “a boy who won’t sit still at dinner who accidentally knocks all of the food onto the floor, to his parents’ great displeasure.”
This is by far the creepiest freaking “wives’ tale” I’ve ever read. It’s such a cliffhanger! What course of action will the parents take? Will they string him up by his ears? Will they perform psychological malpractices such as EST and lobotomy? Will they lethally inject him? Who the hell knows?
How You Should Tell It Around The Campfire
Man, really make this story your own. Embellish a little. “Little Philip exclaimed ‘Oh, heavens!’ and accidentally knocked his bowl of sauerkraut all over the bearskin carpet. The small countryside shack suddenly took on an unpredictably dark atmosphere, and his parents’ brows simultaneously furrowed. ‘Philip,’ they said in eerie unison. ‘You have caused us great displeasure…’ ”
7) Then Who Was Phone?
This story is an Internet classic that was created in response to the surge of thrilling, entertaining Creepypastas a few years ago. It doesn’t disappoint:
“So ur wid yo honi and ur makin out wen the phone ringz. U ansr it n da voice sayz “wut r u doin wit ma daughter?” u tel ur girl n she say “ma dad is ded.” THEN WHO WAS PHONE?”
Once you get past the fact that this story is only barely intelligible, you realize that the shock factor runs deep. This is a story that will cause all you happy campers to break out in a decidedly cold sweat.
How You Should Tell It Around The Campfire
It’s hard incorporating bad grammar into real-world speech, but with a little practice you can translate your forced dyslexia into a severe handicap on your story-telling ability. Talk like you suck at talking, but maintain the undertone of grave importance. After saying “ma dad is ded,” rise slowly from your seat and look around at all of your listeners, and then quietly whisper “… then who was phone?”
6) The Bully
This story was found while reading some of what Stephanie Springer had to say on the subject of scary stories that suck. I think this story tends to shine above its peers–it falls into the archetype of the tormented protagonist.
“The protagonist was a little boy who was being picked on by a girl bully. He got her in trouble and then she threatened to make him pay. Kate never got the chance. She suddenly got sick and died.”
Sure, there’s more to the story, but why not just end it there? A bully torments a kid and then gets sick and dies! That’s pretty damn scary, innit? Karma, that’s what I say. Taken to an extreme. That’s the scary part. Hey, don’t tease that kid about his glasses or you’ll freakin’ die.
How You Should Tell It Around The Campfire
“Once there was a little boy who was picked on by a little girl,” you say. “And do any of you know what happened to the little girl?” Watch as they all shake their heads. You lean in to the fire a little, illuminating your face. “The little brat freaking got sick and died.”
5) Russian-fied Stories
Don’t ask me where they started or if they’ve ended, but sometimes it works to take a classic campfire story and tell it again, just from the point of view of a Russian man. Rework a few key plot points, make the setting Moscow, and you’re in business.
“You are home to watch Pravda on televisir about degenerate murderer who is on the loose. You look out the window door to beet field, and you notice Man standing in the snow. He look like foto on televisir and he smile at you. You gulp vodka, picking up fone to your right and dialing Local Militia Precinct Commissar. Back out the glass you look, pressing fone to ear. Notice he now closer to you. You drop vodka in shock.No footprints in snow. It was reflection. You dullard! Your apartment is bulldozed down to make way for glorious tractor factory.”
See? Just as thrilling as the original if not more so! And the ending change heightens the Russian experience.
How You Should Tell It Around The Campfire
I don’t have a good Russian accent, but assuming you do, just make sure you remember the acronym “KGB” — Kiev, Gulag, and Booze. Three words that should probably be in your story.
4) The Heron
This story has stuck with me for quite some time. Out of all the punishments promised at the end of scary stories, The Heron’s threat is by far the most bizarre and bloodcurdling.
“I am a heron. I have a long neck and I pick fish out of the water with my beak. If you don’t repost this comment on 10 other pages, I will fly into your kitchen tonight and make a mess of your pots and pans.”
But that’ll take forever to clean up!
How You Should Tell It Around The Campfire
The Heron is your ticket. Talk him up a lot. Become the heron. “I have a long neck,” you say, “and I pick fish out of the water… with my beak.” That feat in itself is astonishing. But by golly if your campmates don’t reblog your post at least ten times, you’ll make a huge ass mess of their pots and pans–really drive home that point. It’s all about being in character for this one.
3) John Stalvern
This story surfaced on Reddit as well, and a casual commenter remarked that he had kept reading in the hopes that it would end half as well as it started, but slowly degraded into a horrifically shitty story. That’s why it’s up here.
“John Stalvern waited. The lights above him blinked and sparked out of the air. There were demons in the base. He didn’t see them, but had expected them now for years. His warnings to Cernel Joson were not listenend to and now it was too late. Far too late for now, anyway. John was a space marine for fourteen years. When he was young he watched the spaceships and he said to dad “I want to be on the ships daddy.” Dad said “No! You will BE KILL BY DEMONS” There was a time when he believed him. Then as he got oldered he stopped. But now in the space station base of the UAC he knew there were demons. “This is Joson” the radio crackered. “You must fight the demons!” So John gotted his palsma rifle and blew up the wall. “HE GOING TO KILL US” said the demons “I will shoot at him” said the cyberdemon and he fired the rocket missiles. John plasmaed at him and tried to blew him up. But then the ceiling fell and they were trapped and not able to kill. “No! I must kill the demons” he shouted The radio said “No, John. You are the demons” And then John was a zombie.”
This is Dead Space gone freaking apeshit. Not only is John Stalvern fighting zombies–he’s fighting demons. And I think Stalvern is a protagonist that–can it be?–we can relate to! I fight zombie demons on a daily basis, and I aspire to be a ship base protector for the space fleet of… Cernel… Joson…
How You Should Tell It Around The Campfire
Well this one’s got the potential to be fantastic, but you’ve really got to capture that space feeling. Exude that atmosphere. There are blaring alarms, ceaseless sirens, and the air is thick with anxiety. The airlock doors are losing their pressurization and all around you, demons are gathering to bring about your certain demise. Tell them what happens to John Stalvern. Tell them.
2) The Gypsy Blood Girl’s Ghost Host
This story is told in the cult-style of “numerous spelling mistakes” and is clearly better off for doing so. It is a tragic story told from a third-party perspective.
“Well you see, my best friend lives down the street and her family comes from a bad bad I guess you could say. Her mother has gypsy blood in her. Her mother has connections to spirits and very strong senses. She is not phycic though. My friends brother use to talk to a spirit when he was little but my friend was not like that. Now though she is like that. For the past week she has been telling me how she fears she is going crazy but i’m telling her she’s just pariniod. This fear she has all started when evertime she takes a bath the lights flicker. This sounds crazy too, but she fears she is being watched all the time and her cat acts weird. So lat night she was up around 2 in the night and went to bed. She heard a noise and freaked out and noticed that a picture of her was missing. When she went over to look the picture had scratches on it and was burned at the bottom. She was crying telling me this and showed me the picture. She is a ghost host you see, and the spirit obviously does not like her. This doesn’t sound scary but imagine it happended to your friend. I can’t believe it, like I fell this is not real but it is. Believe it if you want, it doesn’t matter to me.”
Imagine if this happended to your friend. Just imagine it. This is a crazy, roller coaster ride of a tale that is sure to bring your campmates to the brink of insanity, no less. They will literally go fetal by the end. I did.
How You Should Tell It Around The Campfire
Enunciate the spelling mistakes because they add to the story. “She is not phycic though.” “She’s just pariniod.” “Evertime she takes a bath the lights flicker.” And please, oh please, get the attitude right at the end. Hold up a hand and say, mustering up every ounce of your sass, “Believe it if you want, it doesn’t matter to me.”
1) The Day Of All The Blood
This story was written by a seven year old and it tops everything everyone has done ever. It made me wet my pants with feelings that I couldn’t properly identify.
“THIS IS THE STORY OF A DAY WHERE THERE WAS ALL THIS BLOOD. A MAN WAS WALKING AROUND AND BLOOD STARTED COMING OUT OF HIM EVERYWHERE. THERE WAS SO MUCH BLOOD THAT IT FILLED UP AN ELEVATOR. HE WENT TO THE STORE AND THERE WAS JUST BLOOD ALL OVER THE PLACE! PEOPLE WERE SLIPPING IN IT AND THEY WERE ALL GROSSED OUT. HE TRIED TO GO SWIMMING AND ALL OF THE SHARKS WENT NUTS AND BITTENED EVERYBODY. HE GOT CHASED BY ALL THE VAMPIRES EVER. ONE TIME THE BLOOD GOT A KID AND A DOG. AT THE END OF THE DAY EVERYONE DECIDED THEY WOULD SEND HIM TO SPACE SO THAT HE WOULD STOP GETTING BLOOD EVERY WHERE. THE SCARIEST PART IS THAT THE MAN WAS YOU!!! (OR HE WAS A LADY IF YOU ARE A LADY) AND YOU FORGOT THAT THIS HAPPENED”
And you forgot this happened…? Think about it. That could be anyone of us. Any one of you readers could have experienced these traumatic events and completely forgotten about them. This is a master work in horror and deserves to fill the top spot on this list, undoubtedly.
How You Should Tell It Around The Campfire
Talk like you’re speaking in all caps, and by that I mean scream. From the very moment you begin to the moment you end, maintain the same decibel range–stay in the neighborhood of 90-120. Shout in your campmates’ ears. And on the last line, take note that there is technically no period, and that means that your sentence is never over. So let your words, your tone, your message ring constantly in their ears, and let them experience true terror like no one has ever felt it before.
Thanks so much for reading!
-Thom
aestheism, not atheism.
A Little Perspective
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